list of EGOT winners

It seems everyone is agog for the EGOT. The acronym refers to the four major performing-arts awards in North America: Emmy, Grammy, Oscar, and Tony. Winning all of the honours is one of the most coveted achievements in entertainment. However, that was not always the case. In fact, the feat was largely unrecognized until 1984, when Philip Michael Thomas, an actor in the TV series Miami Vice (1984–89), came up with the term EGOT to describe his aspirations. He even wore a necklace with the acronym engraved on a medallion. However, the EGOT remained little more than a curiosity until 2009, when the term—and Thomas’s necklace—was a storyline in an episode of the sitcom 30 Rock (2006–13). The EGOT subsequently caught the public’s imagination and became a goal for many entertainers.

Although Thomas has yet to win an EGOT, 25 people have achieved the feat: 19 have won competitive EGOTs, and 6 people have completed the EGOT with noncompetitive or honorary awards. The winners are listed below in chronological order by their qualifying award. If the entertainer won multiple prizes at the same ceremony, all are mentioned. The year in parentheses indicates when the award was received.

Competitive EGOT winners

• Emmy: Outstanding achievement in original music composed for television, Winston Churchill: The Valiant Years (1962)
• Grammy: Best show album (original cast), The Sound of Music (1961)
• Oscar: Best song, “It Might as Well Be Spring” from State Fair (1946)
• Tony: Best producer (musical), best original music score, and best musical, South Pacific (1950)

• Emmy: Best actress, Schlitz Playhouse of Stars: Not a Chance (1953)
• Grammy: Best spoken word recording, Great American Documents (1977)
• Oscar: Best actress, The Sin of Madelon Claudet (1932)
• Tony: Best actress (play), Happy Birthday (1947)

• Emmy: Outstanding continuing or single performance by a supporting actress in a variety or musical program, The Muppet Show (1977)
• Grammy: Best recording for children, The Electric Company (1973)
• Oscar: Best supporting actress, West Side Story (1962)
• Tony: Best actress (featured role, play), The Ritz (1975)

• Emmy: Outstanding lead actor in a miniseries or special, Summer’s Lease (1991)
• Grammy: Best album for children, The Emperor’s New Clothes (1980)
• Oscar: Best supporting actor, Arthur (1982)
• Tony: Best director (play), Big Fish, Little Fish (1961)

• Emmy: Outstanding individual achievement—informational programming, Gardens of the World (1993)
• Grammy: Best spoken word album for children, Audrey Hepburn’s Enchanted Tales (1994)
• Oscar: Best actress, Roman Holiday (1954)
• Tony: Best actress (play), Ondine (1954)

• Emmy: Outstanding individual achievement in music direction and outstanding individual achievement in music and lyrics, Barbra: The Concert (1995)
• Grammy: Song of the year (“The Way We Were”), best new artist of the year, best pop instrumental performance (“The Entertainer”), and album of best original score written for a motion picture or a television special (The Way We Were) (1975)
• Oscar: Best original dramatic score and best song (“The Way We Were” from The Way We Were) and best original song score and adaptation or scoring: adaptation (The Sting) (1974)
• Tony: Best original musical score, A Chorus Line (1976)

• Emmy: Outstanding achievement in music direction, Night of 100 Stars (1982)
• Grammy: Best instrumental arrangement accompanying vocal(s), “No One Is Alone” (1989)
• Oscar: Best original score and its adaptation or adaptation score, “A Little Night Music” from A Little Night Music (1978)
• Tony: Best orchestrations, Titanic (1997)

• Emmy: Outstanding writing achievement in a variety program, The Sid Caesar, Imogene Coca, Carl Reiner, Howard Morris Special (1967)
• Grammy: Best spoken comedy album, The 2000 Year Old Man in the Year 2000 (1999)
• Oscar: Best story and screenplay (written directly for the screen), The Producers (1969)
• Tony: Best musical (Brooks was a producer), original musical score, book (musical) for The Producers (2001)

• Emmy: Outstanding made-for-television movie, Wit (2001)
• Grammy: Best comedy performance, An Evening with Mike Nichols and Elaine May (1962)
• Oscar: Best director, The Graduate (1968)
• Tony: Best director (play), Barefoot in the Park (1964)

• Emmy*: Outstanding special class special, Beyond Tara: The Extraordinary Life of Hattie McDaniel (2002)
• Grammy: Best comedy recording, Whoopi Goldberg—Original Broadway Show Recording (1986)
• Oscar: Best supporting actress, Ghost (1991)
• Tony: Best musical (Goldberg was a producer), Thoroughly Modern Millie (2002)
• *Daytime Emmy Award

• Emmy: Outstanding children’s program, He Makes Me Feel Like Dancin’ (1984)
• Grammy: Best musical theatre album, The Book of Mormon (2012)
• Oscar: Best picture (Rudin was a producer), No Country for Old Men (2008)
• Tony: Best musical (Rudin was a producer), Passion (1994)

• Emmy*: Outstanding achievement in music direction and composition, Wonder Pets! (2008)
• Grammy: Best musical theatre album, The Book of Mormon (2012)
• Oscar: Best original song, “Let It Go” from Frozen (2014)
• Tony: Best original musical score, Avenue Q (2004)
• *Daytime Emmy Award; in 2021 Lopez won a Primetime Emmy.

• Emmy: Outstanding variety special (live), Jesus Christ Superstar Live in Concert (2018)
• Grammy: Best cast show album, Evita: Premiere American Recording (1981)
• Oscar: Best original song, “You Must Love Me” from Evita (1997)
• Tony: Best original musical score, Evita (1980)

• Emmy: Outstanding variety special (live), Jesus Christ Superstar Live in Concert (2018)
• Grammy: Best cast show album, Evita: Premiere American Recording (1981)
• Oscar: Best original song, “A Whole New World” from Aladdin (1993)
• Tony: Best original musical score, Evita (1980)

• Emmy: Outstanding variety special (live), Jesus Christ Superstar Live in Concert (2018)
• Grammy: Best new artist, best male R&B vocal performance (“Ordinary People”), and best R&B album (Get Lifted) (2006)
• Oscar: Best original song, “Glory” from Selma (2015)
• Tony: Best revival (play; Legend was a producer), August Wilson’s Jitney (2017)

• Emmy*: Outstanding original song in a children’s, young adult, or animated program, “Waiting in the Wings” from Rapunzel’s Tangled Adventure (2020)
• Grammy: Best recording for children (The Little Mermaid) and best song written specifically for a motion picture or for television (“Under the Sea”) (1991)
• Oscar: Best original score (The Little Mermaid) and original song (“Under the Sea”) (1991)
• Tony: Best original musical score, Newsies (2012)
• *Daytime Emmy Award

• Emmy*: Outstanding interactive media for a daytime program (Hudson was a producer), Baba Yaga (2021)
• Grammy: Best R&B album, Jennifer Hudson (2009)
• Oscar: Best supporting actress, Dreamgirls (2007)
• Tony: Best musical (Hudson was a producer), A Strange Loop (2022)
• *Daytime Emmy Award

• Emmy: Outstanding lead actress in a drama series, How to Get Away with Murder (2015)
• Grammy: Best audio book, narration, and storytelling recording, Finding Me (2023)
• Oscar: Best supporting actress, Fences (2017)
• Tony: Best actress (featured role, play), King Hedley II (2001)

• Emmy: Outstanding variety special (live), Farewell from Dodger Stadium (2024)
• Grammy: Best pop performance by a duo or group with vocal, “That’s What Friends Are For” (1987)
• Oscar: Best original song, “Can You Feel the Love Tonight” from The Lion King (1995)
• Tony: Best original music score, Aida (2000)

Noncompetitive EGOT winners

Italics denote an award that was honorary or noncompetitive.

• Emmy: Outstanding individual achievement in entertainment—actors and performers, My Name Is Barbra (1965)
• Grammy: Album of the year (other than classical) and best vocal performance (female), The Barbra Streisand Album (1964)
• Oscar: Best actress, Funny Girl (1969)
• Tony: Special award (1970)

• Emmy: Outstanding single program—variety and popular music, Liza with a “Z” (1973)
• Grammy: Legend award (1990)
• Oscar: Best actress, Cabaret (1973)
• Tony: Best actress (musical), Flora, the Red Menace (1965)

• Emmy: Outstanding supporting actor in a miniseries or special (Heat Wave) and outstanding lead actor in a drama series (Gabriel’s Fire) (1991)
• Grammy: Best spoken word recording, Great American Documents (1977)
• Oscar: Honorary award (2012)
• Tony: Best actor (play), The Great White Hope (1969)

• Emmy: Outstanding performance in a variety or musical program or series, Tonight with Belafonte (1960)
• Grammy: Best performance (folk), Swing Dat Hammer (1961)
• Oscar: Jean Hersholt Humanitarian Award, 2015
• Tony: Best actor (featured role, musical), John Murray Anderson’s Almanac (1954)

• Emmy: Outstanding achievement in music composition for a series (dramatic underscore), Roots (1977)
• Grammy: Best instrumental arrangement, I Can’t Stop Loving You (1964)
• Oscar: Jean Hersholt Humanitarian Award, 1995
• Tony: Best revival (musical; Jones was a producer), The Color Purple (2016)

• Emmy*: Outstanding long documentary, The Redeem Team (2023)
• Grammy: Best music film, Jazz Fest: A New Orleans Story (2023)
• Oscar: Irving G. Thalberg Memorial Award (2019)
• Tony: Best musical (Marshall was a producer), A Strange Loop (2022)
• *Sports Emmy Award