Sidney Poitier

Sidney Poitier (born February 20, 1927, Miami, Florida, U.S.—died January 6, 2022, Los Angeles, California) Bahamian American actor, director, and producer who broke the colour barrier in the U.S. motion-picture industry by becoming the first African American to win an Academy Award for best actor (for Lilies of the Field [1963]) and the first Black movie star. He also redefined roles for African Americans by rejecting parts that were based on racial stereotypes.

Early life and work

Poitier was born prematurely in the United States while his parents were visiting from The Bahamas. While some references give his birth year as 1924, most sources, including Poitier himself, indicate that he was born in 1927. He grew up on Cat Island, Bahamas, and returned as a teenager to the United States, where he enlisted in the U.S. Army during World War II and served a brief stint in a medical unit. Upon his discharge, he applied to the American Negro Theatre (ANT) in New York City. Refused a place because of his accent, he practiced American enunciation while listening to the accents of radio voices and reapplied to ANT six months later. This time he was accepted, and he began studying acting while appearing in a series of ANT productions. In 1946 he made his Broadway debut in Lysistrata.

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Hollywood trailblazer

Poitier’s first credited film role was Dr. Luther Brooks, a Black doctor who treats a bigoted white criminal, in No Way Out (1950). The movie established a significant pattern both for Poitier himself and for the Black actors who followed him: by refusing roles that played to racial stereotypes, Poitier pushed the restrictive boundaries set by Hollywood and made inroads into the American mainstream. He next appeared in Cry, the Beloved Country (1951), an adaptation of Alan Paton’s novel about a murder in apartheid South Africa; Poitier portrayed a reverend. Another of his notable early roles was Gregory Miller, an alienated high school student in the 1955 film adaptation of Evan Hunter’s novel The Blackboard Jungle (1954). Although he had a budding film career, Poitier continued to perform in live theatre and won critical acclaim on Broadway in 1959 with his starring role in Lorraine Hansberry’s A Raisin in the Sun. He also starred in the 1961 film adaptation of the drama.

In the gripping drama Edge of the City (1957), Poitier starred as a dockworker whose friendship with a white coworker (John Cassavetes) raises the ire of a racist union boss. Band of Angels (1957) also examined racial tensions. Set at the time of the American Civil War, the melodrama featured Poitier as a rebellious overseer whose boss (Clark Gable) buys the daughter (Yvonne De Carlo) of a once-wealthy family, who, after her father’s death, discovers she is part Black and is sold into slavery. In The Defiant Ones (1958), Poitier was cast as a prisoner who escapes with a white inmate (Tony Curtis); the two must overcome their racial prejudices in order to elude the police. The film, which was considered provocative at the time because of its call for racial harmony, earned Poitier an Oscar nomination for best actor; he became the first African American male performer to earn a nod in the lead category. He also earned acclaim for his work in Porgy and Bess (1959); he portrayed the disabled Porgy, who loves Bess (Dorothy Dandridge), a drug addict being pursued by a number of suitors.

Poitier made history as Homer Smith, an ex-GI who helps nuns build a chapel in Lilies of the Field (1963). His Academy Award win marked the first time a competitive Oscar had been awarded to an African American male. (James Baskett had received an honorary Oscar in 1948 for his role as Uncle Remus in Song of the South [1946].) Poitier was also just the second Black actor to win an Academy Award (Hattie McDaniel had won a best supporting actress Oscar for Gone with the Wind [1939]). After appearing in the biblical epic The Greatest Story Ever Told (1965), Poitier portrayed a man who befriends a blind girl (Elizabeth Hartman) in A Patch of Blue (1965); the moving drama also starred Shelley Winters as her abusive mother.

After the western Duel at Diablo (1966), Poitier starred in a series of acclaimed films. In To Sir, with Love (1967), he portrayed a charismatic schoolteacher who earns the respect of his students at an inner-city school. Next was In the Heat of the Night (1967), a crime drama that focused on the uneasy partnership that develops between a bigoted white Southern police chief (played by Rod Steiger) and Virgil Tibbs, an intellectual Black Philadelphia detective (Poitier). The film received the Oscar for best picture, and Poitier later reprised the role in They Call Me Mister Tibbs! (1970) and The Organization (1971). Poitier’s other movie from 1967 was Guess Who’s Coming to Dinner, in which he portrayed the fiancé of a white woman (Katharine Houghton) who takes him home to meet her liberal parents (Spencer Tracy, in his last film, and Katharine Hepburn). The success of the movies made Poitier the top box-office draw of the year.

Poitier as a director

In 1972 Poitier made his directorial debut with Buck and the Preacher, an amiable western in which he played a con-man preacher; his costars were Harry Belafonte and Ruby Dee. He next helmed A Warm December (1973), a melodrama that featured Poitier as a widowed doctor who falls in love with a woman (Esther Anderson) who has sickle cell anemia. Both films were disappointments at the box office, but the comedy Uptown Saturday Night (1974) was an enormous hit, thanks to the chemistry between Poitier and costars Bill Cosby and Belafonte. Poitier then reteamed with Cosby on Let’s Do It Again (1975) and A Piece of the Action (1977).

Poitier did not act in Stir Crazy (1980), which featured Gene Wilder and Richard Pryor as a pair of losers who are mistakenly sent to prison; the film was an enormous box-office hit. Poitier had less success with Hanky Panky (1982), which teamed Wilder and his real-life wife, Gilda Radner, and Fast Forward (1985), a musical about break dancers. Cosby returned for Poitier’s last directorial effort, Ghost Dad (1990), but the film failed to match their earlier successes.

Return to acting

After more than a decadelong break from acting, in 1988 Poitier appeared in the action thrillers Shoot to Kill and Little Nikita. His other films include Sneakers (1992) and The Jackal (1997), but most of his later credits were made-for-television movies, notably Separate but Equal (1991) and Mandela and de Klerk (1997), in which he played Thurgood Marshall and Nelson Mandela, respectively. His final role was in The Last Brickmaker in America (2001), a TV movie about a grieving widower whose job is becoming obsolete.

In 2001 Poitier, the recipient of many prestigious acting awards, was presented with an honorary Academy Award for “his remarkable accomplishments as an artist and as a human being.” A dual citizen of the United States and The Bahamas, he served as ambassador to Japan for The Bahamas from 1997 to 2007. In 2009 he was awarded the U.S. Presidential Medal of Freedom. Poitier chronicled his experiences in This Life (1980) and The Measure of a Man: A Spiritual Autobiography (2000). Life Beyond Measure: Letters to My Great-Granddaughter (2008) was a volume of advice and insights in epistolary form. He also released a suspense novel, Montaro Caine, in 2013.