Phillis Wheatley

Phillis Wheatley (born c. 1753, present-day Senegal?, West Africa—died December 5, 1784, Boston, Massachusetts, U.S.) the first Black woman to become a poet of note in the United States.

The girl who was to be named Phillis Wheatley was captured in West Africa and taken to Boston by slave traders in 1761. She was enslaved by a tailor, John Wheatley, and his wife, Susanna. They named her Phillis because that was the name of the ship on which she arrived in Boston. She received an education in the Wheatley household while also working for the family; unusual for an enslaved person, she was taught to read and write. In less than two years, Phillis had mastered English. She went on to learn Greek and Latin and caused a stir among Boston scholars by translating a tale from Ovid. Beginning in her early teens, she wrote verse that was stylistically influenced by British Neoclassical poets such as Alexander Pope and was largely concerned with morality, piety, and freedom.

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Poetry: First Lines

Wheatley’s first poem to appear in print was “On Messrs. Hussey and Coffin” (1767), about sailors escaping disaster. She did not become widely known until the publication of “An Elegiac Poem, on the Death of That Celebrated Divine…George Whitefield” (1770), a tribute to George Whitefield, a popular preacher with whom she may have been personally acquainted. The poem is typical of what Wheatley wrote during her life both in its formal reliance on couplets and in its genre; more than one-third of her known works are elegies to prominent figures or friends. A number of her other poems celebrate the nascent United States of America, whose struggle for independence she sometimes employed as a metaphor for spiritual or, more subtly, racial freedom.

Though Wheatley generally avoided making the topic of slavery explicit in her poetry, her identity as an enslaved woman was always present, even if her experience of slavery may have been atypical. The poem for which she is best known today, “On Being Brought from Africa to America” (written 1768), directly addresses slavery within the framework of Christianity, which the poem describes as the “mercy” that “brought me from my Pagan land” and gave her a “redemption” that she “neither sought nor knew.” The poem concludes with a rebuke to those who view Black people negatively:

Some view our sable race with scornful eye,
“Their colour is a diabolic die.”
Remember, Christians, Negros, black as Cain,
May be refin’d, and join th’ angelic train.

Among Wheatley’s other notable poems from this period are “To the University of Cambridge, in New England” (written 1767), “To the King’s Most Excellent Majesty” (written 1768), and “On the Death of the Rev. Dr. Sewall” (written 1769).

Wheatley traveled to London in May 1773 with the son of her enslaver. Her first book, Poems on Various Subjects, Religious and Moral, in which many of her poems were first printed, was published there in 1773. Wheatley’s literary talent and personal qualities contributed to her great social success in London. That she was enslaved also drew particular attention in the wake of a legal decision, secured by Granville Sharp in 1772, that found slavery to be contrary to English law and thus, in theory, freed any enslaved people who arrived in England. Wheatley returned to Boston in September 1773 because Susanna Wheatley had fallen ill. Phillis Wheatley was freed the following month; some scholars believe that she made her freedom a condition of her return from England.

Wheatley supported the American Revolution, and she wrote a flattering poem in 1775 to George Washington. In 1778 she married John Peters, a free Black man, and used his surname. Though she continued writing, she published few new poems after her marriage. At the end of her life, Wheatley was working as a servant, and she died in poverty in 1784.

Two books of Wheatley’s writing were issued posthumously: Memoir and Poems of Phillis Wheatley (1834)—in which Margaretta Matilda Odell, who claimed to be a collateral descendant of Susanna Wheatley, provides a short biography of Phillis Wheatley as a preface to a collection of Wheatley’s poems—and Letters of Phillis Wheatley: The Negro-Slave Poet of Boston (1864). Because Wheatley did not write an account of her own life, Odell’s memoir had an outsized effect on subsequent biographies; some scholars have argued that Odell misrepresented Wheatley’s life and works. Wheatley’s poems were frequently cited by abolitionists during the 18th and 19th centuries as they campaigned for the elimination of slavery.