Alice Walker

Alice Walker (born February 9, 1944, Eatonton, Georgia, U.S.) is an American writer whose novels, short stories, and poems are noted for their insightful treatment of African American culture. Her novels, most notably The Color Purple (1982), focus particularly on women.

Childhood, education, and marriage

Walker was the eighth child of African American sharecroppers. While growing up she was accidentally blinded in one eye, and her mother gave her a typewriter, allowing her to write instead of doing chores. In an interview with The New York Times in 1983, Walker described her parents as “both storytellers. They always spoke with metaphorical richness.” When she was eight years old, Walker was sent to live with her grandparents for a year in rural Georgia. In a TimesTalk interview in 2015, she remembered them both as “so kind, so giving,” but they had had a turbulent past caused by her grandfather’s alcohol use. Her grandfather eventually recovered from alcoholism and changed his life for the better. (During her TimesTalk interview, Walker said that this experience led her to wonder “how could people who were so wonderful, when I knew them, be terrible when I didn’t know them?” Her wondering led her to write The Color Purple, because she “had to show what happened to them and why they were like that,” describing the experience of writing the novel as a form of “reclamation.”)

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Poetry: First Lines

Walker received a scholarship to attend Spelman College, where she studied for two years before transferring to Sarah Lawrence College. After graduating in 1965, Walker moved to Mississippi and became involved in the civil rights movement. She also began teaching and publishing short stories and essays. She married Melvyn Rosenman Leventhal, a white Jewish civil rights attorney, in New York City in 1967, after which they moved to Mississippi, becoming the state’s first legally married interracial couple. In her introduction to a collection of her journals, Gathering Blossoms Under Fire (2022), Walker wrote: “There was a long tradition of white men having Black mistresses in the South. That was not going to be my path. So I proposed to Mel, and he happily obliged. Apart from our love, it was important politically for us to be legally married.” They had one daughter, the writer and feminist activist Rebecca Walker, but their life in Mississippi was isolating and lonely, as Walker recorded in her journals. The family was subject to threats from the Ku Klux Klan, and Leventhal was often away working on legal cases involving civil rights throughout the state. The couple divorced in 1976.

(Read W.E.B. Du Bois’s 1926 Britannica essay on African American literature.)

First writings

Walker’s first book of poetry, Once, appeared in 1968, and her first novel, The Third Life of Grange Copeland (1970), a narrative that spans 60 years and three generations, followed two years later. A second volume of poetry, Revolutionary Petunias and Other Poems, and her first collection of short stories, In Love and Trouble: Stories of Black Women, both appeared in 1973. The latter bears witness to sexist violence and abuse in the African American community. After moving to New York City, where she worked as an editor for Ms. magazine, Walker completed Meridian (1976), a novel describing the coming of age of several civil rights workers in the 1960s. In 1981 she published the short-story collection You Can’t Keep a Good Woman Down. It includes “Nineteen Fifty-five,” which addresses the exploitation of Black music by white musicians in the story of an older, female blues singer (modeled after Big Mama Thornton) whose forgotten song from days gone by becomes the launching point to tremendous fame of a young, Elvis-like rock and roll singer. “The Abortion,” which was inspired by Walker’s own experience when she was in college and while she was living in Mississippi with Leventhal, tells the story of a young Black woman who has two abortions in the era before Roe v. Wade —the first a clandestine and traumatic procedure, the second quick and painless.

The Color Purple

Walker moved to California, where she wrote her most popular novel, The Color Purple (1982). An epistolary novel, it depicts the growing up and self-realization of an African American woman between 1909 and 1947 in a town in rural Georgia. Its main character, Celie, survives rape and abuse at the hands of her father and husband and separation from her children and sister to find love with another woman. In the end she is reunited with her long-lost family. Through the book’s remarkable use of Black English Vernacular, the book also follows Celie’s changing views of God.

The book won a Pulitzer Prize and was adapted into a film by Steven Spielberg in 1985, starring Whoopi Goldberg, Danny Glover, and Oprah Winfrey. A musical version produced by Winfrey and Quincy Jones premiered in Atlanta in 2004 and made its Broadway debut the following year. A film adaptation of the musical was released in 2023, featuring Fantasia Barrino, Taraji P. Henson, Colman Domingo, and Danielle Brooks.

Later work and controversies

Walker’s later fiction includes The Temple of My Familiar, an ambitious examination of racial and sexual tensions (1989); Possessing the Secret of Joy (1992), a narrative centered on female genital mutilation; By the Light of My Father’s Smile (1998), the story of a family of anthropologists posing as Christian missionaries in order to gain access to a Mexican tribe; and Now Is the Time to Open Your Heart (2005), about an older woman’s quest for identity. Reviewers complained that these novels employed New Age abstractions and poorly conceived characters, though Walker continued to draw praise for championing racial and gender equality in her work. She also released the volume of short stories The Way Forward Is with a Broken Heart (2000) and several other volumes of poetry, including Absolute Trust in the Goodness of the Earth (2003), A Poem Traveled Down My Arm (2003), Hard Times Require Furious Dancing (2010), and Taking the Arrow Out of the Heart (2018). Her Blue Body Everything We Know: Earthling Poems (1991) collects poetry from 1965 to 1990.

(Read Henry Louis Gates, Jr.’s Britannica essay on “Monuments of Hope.”)

Walker’s essays were compiled in In Search of Our Mothers’ Gardens: Womanist Prose (1983), Sent by Earth: A Message from the Grandmother Spirit After the Bombing of the World Trade Center and Pentagon (2001), We Are the Ones We Have Been Waiting For: Inner Light in a Time of Darkness (2006), and The Cushion in the Road: Meditation and Wandering as the Whole World Awakens to Being in Harm’s Way (2013). Walker also wrote juvenile fiction and critical essays on various women writers such as Flannery O’Connor and Zora Neale Hurston. She cofounded a short-lived press in 1984.

Throughout her career Walker occasionally attracted criticism. Notably, some African American men strongly objected to the perceived negative portrayal of Black men in The Color Purple, to which Walker responded that such critics had clearly not read her book. Her coinage of the term womanist has also brought controversy. In her essay collection In Search of Our Mothers’ Gardens, Walker defined womanist as “A black feminist or feminist of color. From the black folk expression of mothers to female children, ‘You acting womanish,’ i.e., like a woman. Usually referring to outrageous, audacious, courageous or willful behavior.” To critics who claimed Walker was attempting to divide Black women from the larger feminist movement, she clarified to The New York Times in 2022, “It has nothing to do with not wanting to be a feminist. But it is crucial for Black women to hold on to this very special tradition that we have, exemplified by Harriet Tubman, where you free yourself and you go back and you free other people.”

In later years Walker, who often spoke out against Israel’s policies toward Palestinians, was accused of being anti-Semitic, with her support of conspiracy theorist and Holocaust denier David Icke drawing particular attention. Her former husband, however, stated that during their marriage there was no evidence she held any anti-Semitic views.

In 2011 Walker published the unconventional memoir The Chicken Chronicles, in which she discussed caring for a flock of chickens and offered other musings on her life. The documentary film Alice Walker: Beauty in Truth was released in 2013. In 2022 Walker chose to publish Gathering Blossoms Under Fire, a deeply intimate collection of her journals, telling The New York Times, “I want the journals to be used so that people can see this working through of disappointment, anger, sorrow, regret. So in that sense, it’s a medicine book.”